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REVIEWS
“As the opera soprano Anna Sørensen, Mary Evelyn Hangley displayed poise and vocal purity, especially as she calmed the gathered soldiers with a soaring, a cappella “Dona nobis pacem.”
-OPERA NEWS
“But that was reckoning without the specifics of Ty’s staging or the incendiary brilliance of Hangley’s performance. Hangley’s singing, moreover — bright, luxuriant and fearlessly on point — was a marvel.”
SAN FRANCISCO CHRONICLE
“She showed confidence and vocal security in her unexpected San Francisco Opera debut, which proceeded flawlessly.”
-OPERA WARHORSES
"On November 17 (the second of eight scheduled performances), the originally announced Gertrude, Michaela Martens, was indisposed and replaced by soprano Mary Evelyn Hangley, who sang the role with a keen mix of desperation
and tenderness."
-OPERA NEWS
“The musical highlight of the evening was a duet from Donizetti’s Anna Bolena, sung by soprano Mary Evelyn Hangley and mezzo Taylor Raven. Hangley showed stunning dynamic range and control...”
-STARK INSIDER
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“..Mary Evelyn Hangley in the title role (Arabella), conveying the character’s charm and elegance in voice and presence.”
-SAN FRANCISCO CLASSICAL VOICE
“...while soprano Mary Evelyn Hangley, positioned in the pit, sang them with considerable allure.”
-OPERA NEWS
-SAN FRANCISCO CLASSICAL VOICE
“...a more full-voiced Mary Evelyn Hangley took over and sang heroically from the pit.”
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